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Entertainment Market ResearchCase 02 of 10Illustrative engagement

Understanding how fans buy concert tickets

A live events promoter

  • RegionIndia & UAE
  • Scope1,800 concert-goers
  • Timeline4 weeks
  • MarketsIndiaUnited Arab Emirates
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Illustrative engagement. A representative scenario showing how we approach this kind of work in entertainment. It does not describe a specific client; outcomes are described qualitatively.

01

Industry overview

What is shaping entertainment

Live events, theme parks and entertainment brands sell experiences. Ticketing, crowd experience and sponsor value decide whether people come back.

  • Ticket pricing and booking ease affect attendance
  • On-site experience drives repeat visits
  • Sponsors expect audience evidence
02

Client background

A live events promoter, working in India & UAE. This is an illustrative engagement: a representative scenario showing how we approach this kind of work, not a named client project.

Organisation
A live events promoter
Sector
Entertainment
Team engaged
Market Research
Services
Consumer panel, Online surveys
03

Client challenge

Tickets for some shows sold out instantly while others sold slowly, and the promoter wanted to understand price and timing decisions.

04

Research objectives

  • Deliver on the brief: understanding how fans buy concert tickets.
  • Understand the views, needs and behaviour of concert-goers.
  • Produce results that can be compared across groups and locations.
  • Give the client evidence it can act on within 4 weeks.
05

Target audience

The work focused on 1,800 concert-goers.

  • concert-goers1,800

Audiences we typically reach in entertainment

Event-goersTheme-park visitorsTicket buyersSponsorsFamilies

06

Geographic coverage

Coverage: India & UAE. Markets: India and United Arab Emirates.

  • India
  • United Arab Emirates
07

Research methodology

A structured quantitative design, so results could be compared across groups, locations and time.

  1. 1Brief
  2. 2Fan survey
  3. 3Price sensitivity questions
  4. 4Insight

We surveyed recent concert-goers on discovery, booking timing, price expectations and group buying.

Consumer panelOnline surveys

08

Sampling strategy

concert-goers
1,800
  • Online respondents were drawn from verified panel members who matched the screening criteria, with quotas on key profile attributes.
09

Data collection

Brief & design Sampling & set-up Fieldwork Analysis Reporting Indicative split of the 4-week timeline.
  • The online survey was mobile-friendly and offered in respondents' languages.
10

Data quality & validation

  • Digital fingerprinting and duplicate checks
  • Attention, speed and straight-lining checks
  • Review of open-ended answers
  • Logic and range checks on the final data
  • Work carried out under our ISO 20252 quality procedures
11

Data analysis

  • Cross-tabulation by key groups and locations
  • Significance testing on the differences that mattered
  • Price and trade-off analysis
12

Key findings

  • Fans bought late when they waited for friends to commit.
Live events are social purchases.
13

Recommendations

  • Build on the core insight: live events are social purchases.
  • Focus effort where the evidence was strongest: fans bought late when they waited for friends to commit.
  • Re-measure after the changes to confirm the effect.
14

Business impact

  • The promoter introduced group booking with a short hold period.

What changed in the business as a result of the work. Impact is described qualitatively.

15

Deliverables & next steps

  • Cleaned data file and data tables
  • Repeat the measure after changes are in place to track progress.
  • A natural follow-on question: what value did sponsors get?

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  2. 03caseMeasuring sponsor visibility at a large eventAn event management company
  3. 04caseSizing demand for escape rooms in new citiesAn entertainment start-up
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